American Painter, 1855-1942 Related Paintings of Hirst, Claude Raguet :. | Fruit | A Winter-s Tale | The Title Page | Lord Chesterfield-s Letters to His son | Letters from a Turkish Spy | Related Artists:
WIERINGEN, Cornelis Claesz vanDutch painter (b. ca. 1580, Haarlem, d. 1633, Haarlem)
Dutch draughtsman, painter, etcher and navigator. His name first appears in the Haarlem records in 1597. It is generally assumed that he was a pupil of Hendrick Vroom, whose work strongly influenced his own. Documentary sources confirm that he maintained close friendships with both Hendrick Goltzius, who made woodcuts after his drawings (see fig.), and Cornelis Cornelisz. van Haarlem. Van Wieringen was more than once governor of the Haarlem Guild of St Luke, a position in which he was responsible for updating the guild's outmoded organization. He specialized in seascapes and received commissions from the city of Haarlem, the Dutch Admiralty in Amsterdam and others. His interest lies primarily in his influence on Dutch marine painters of the 17th century.
Orsi, LelioItalian, approx. 1508-87
.Italian painter and draughtsman. A prominent Emilian artist of the mid-16th century, he was influenced by Correggio as well as by the late Mannerist style of Giulio Romano. His large-scale works seem to have been mainly secular decorations, notably illusionistic fa?ades, of which only fragments are extant. Their energy and expressiveness are apparent, however, in the surviving paintings of smaller dimensions. Orsi's sole documented architectural work is the Collegiata di S Stefano, Novellara
Marie EllenriederAnna Marie Ellenrieder (March 20, 1791 - June 5, 1863, Konstanz) was a German painter.
She was born in Konstanz, Germany, the daughter of Konrad and Anna Maria Herrmann, and the granddaughter of Franz Ludwig Herrmann.
She studied under the miniature painter Joseph Einsle. Her portraits, similar in style to the ones of Angelica Kauffmann, made her the first woman to enter the Academy of Fine Arts Munich.
She spent the time between 1822 and 1824 in Rome, where she became a disciple of Friedrich Johann Overbeck. After this journey, she started painting religious topics such as "Christ Blessing Little Children" and "Mary and the Infant Jesus." Her two paintings "Der 12 jährige Jesus im Tempel / The 12 year old Jesus in the Temple", 1849 (oil on canvas, 203,2 x 139,7 cm) and "Hl Felicitas und ihre sieben Söhne / Holy Felicitas and her Seven Sons", 1847 (oil on canvas, 127 x 177,8 cm) were acquired by Queen Victoria who had been introduced to her work by the Prince Consort, who in turn had encountered the artist on his travels to Rome. They are now part of the Royal Collection in Osborne House.
She died in her home town of Konstanz.